Month: July 2014

Neighborhood Explorers

For the past month or two I’ve been working on curating a shelf for the Uni Project‘s launch in Boston.  The Uni is a mobile reading   room – think of it as a learning institution for public space – that was started by Leslie and Sam Davol in New York in 2012.  The way Leslie explained it to me when they first began was that she hoped to bring the Uni to places where there was a story already unfolding; that bringing books and learning to public spaces would help communities to see their neighborhoods — and themselves — in a new way.  So the Uni popped up in Corona Plaza with the Queens Museum of Art, which has community engagement at the heart of its mission.  The Uni went to Play Streets all over the city, where community groups had invited them to bring books and learning to street level.  In Brooklyn, the Uni partnered with the public library to bring lending books outside the library walls, so that kids and families could make …

Quilts and Color at the Boston MFA

You still have a couple weeks to get to the Boston Museum of Fine Arts to see the temporary exhibit, Quilts and Color.  It’s a total knockout, but not necessarily for the reasons why the MFA thinks it is.  Here’s how the museum describes the show: “Quilts and Color” celebrates the vibrant color palette and inventive design seen in the acclaimed Pilgrim/Roy Quilt Collection. The exhibition features nearly 60 distinctive quilts from the renowned collection and is the first to explore how, over five decades, trained artists Paul Pilgrim and Gerald Roy searched out and collected quilts with bold, eye-popping designs that echoed the work of mid-20th century Abstract Expressionist and Op Artists. “Quilts and Color,” as this summary describes, focuses on the quilt collection of a pair of artists, whose interest in color theory and Modern art led them to collect unappreciated and undervalued examples of mostly 19th century handmade American quilts, quilts with “eye-popping designs.”  This tight focus to the show led to two unusual and distinctive curatorial choices.  First: the quilts are …

Cultivating: Midsummer

I’ve been thinking this summer about nostalgia.  This is the season for remembering first kisses (mine: 17 years old, on a balcony in San Sebastian, Spain, sometime in mid July, during a rainstorm), family camping trips, and the long days of daydreaming of past summers (that’s me in the hat, as a young teen, at left.  This picture gives me that odd feeling of not knowing where we are in this picture, and not remembering the moment at all).  If you have kids, it’s the time when they make memories like this for themselves.  I wonder what it’s like to watch them do that, to see echoes of your former self in them and experience the simultaneity of memory and experience.  This is the tinge of sadness that summer brings – knowing that it comes to an end, knowing that we’re getting older, that the year will soon get colder again.  The hopefulness of spring and the resilience of fall and winter lie on either side of us, and at the height of summer we …